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ADRT with default cue numbering settings 1. Fixed options settings not persisting hopefully. In cue list view the cue number has a background colour to differentiate it. Need to get a cert for PC too. Still deciding where to display the scene description.
Only the text from the appended cue is used, all other settings are taken from the first cue. Couple of other small bug fixes. Quite a few internal tidy-ups to pave the way for some upcoming stuff. These totals apply to any tracks that are checked for export. Found it handy to be able to get these without having to do an export to get the summary PDF. Edited title is now used as the export folder name rather than original title.
Default underscore separator removed for cue numbers it messes up Pro Tools take numbering! Slight increase in keystroke delay in a couple of places on MacOS. Few more defensive checks put in.
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ADR Text is selected when clip text is retrieved – so you can overtype it instantly if you want. The Default Supervisor setting wasn’t quite sticky enough! More MIDI options added, the cue note track can also have cue sysex info too – this is beta. A few bug fixes.
New Cues window – you can view the cues for the selected track in the main track grid. This window is resizeable. You can edit the text in this grid but not the timecodes but this is only for last minute correction use as any edits aren’t carried back to Pro Tools.
You can now set various options for the count off beep track. Fractional frame rate calculation now MUCH more accurate, though whoever invented fractional frame rates should be made to eat celery. You can also set the MIDI note and note duration and how far in advance of the actual cue time the note is from 1. More to come doubtless Ah yes, somebody asked me to. First bugfix for MIDI, taken all day staring at the screen, events were sometimes slightly off the frame boundary, cracked it now.
Temporarily made it so that cue notes that would be closer together than the cue note length are suppressed – could cause problems and knock subsequent timing out.
Fixed in my head, just rejigging a few bits. You can now set a default supervisor you! Currently it outputs MIDI markers and a beep streamer cueing track – each beep is a 4 frame note note velocity 80 2 seconds before the cue marker. I want to get it working reliably before I add any user adjustment. The start TC of the cueing session is used as the start TC reference for the MIDI, this is also currently fixed so if you need it different adjust your cueing session first.
Oh and drop frame or 0. Due to the recent export optimizations it still exports much faster than the commercial offerings and this hasn’t had a terrible effect and makes it MUCH easier to debug if there are problems.
Print date is now at the bottom of each page. I prefer this idea as it leaves cleaner track names but either work now. The track grid now shows ADR Tag code clashes in yellow in addition to the info given by the tag clash count at the top – you’re not stopped from using clashing tags but they may be inadvisable so now they are more obvious! Refactored the PDF generation to tidy a few things up ready to add some more things.
Just noticed whilst fixing that, that some font switching occurs with international characters, not urgent but I’ll start to take a look at that. This is meant for simple corrections to avoid having to go back to Pro Tools and re-export. You can now click and edit the ADR tag code useful for changing tag code due to clashes etc without having to re-export session text from Pro Tools.
If there were errors you can click on that text to show a dialog that lists the part s of the file where there are problems. You can set the incredibly rough rule of thumb time per cue in the Export Options dialog box. Any clips with no priority set are put in timecode order after any clips with priorities set. Session file opening is now faster wasn’t slow before!
Fixed Reasons not loading properly regression with Remote Control window. Much more info is put into the Excel file for ADR now – the Excel was originally for the music list side but I can see how it might be useful for people who want to generate custom sheets etc, rather than use the built-in functionality.. They are BETA features, be careful with them.
It’s beta, as currently, once you set it going you can’t stop it till it’s done – you can close the program! Mostly seems to be working now! Tab order of Remote Control is more predictable.
Credit to Ryan for some of the ideas here! Flags are clip based tags that mark the cue for output to two character ordered and TC ordered PDFs in addition to the normal lists.
Example uses: You’ve entered some cues across multiple characters that you need translation and want to split them off for the translator.
You’ve flagged some cues you want to consult the director about. A special track name [PRODINFO] including the square brackets is recognised it is ignored as a potential export track and is used to store what will be an increasing number of session wide bits of metadata. The individual metadata items are stored in region groups, similarly to ADR cues. Store one bit of metadata in each individual region group, they are all optional.
Mac version now has DMG drag and drop installer. Handy for quick and dirty cueing etc 1. Priority and time range filtering options now available. You can now optionally merge. Should be pretty close now. This prepares the way for more extensive filtering capabilities to come soon, it has also slightly sped up exporting. Will look at improving it over time 1. I expect some teething problems! You can also remove common suffixes in the filename. A2 etc. You can also hide frames in the output – just shows Hrs: Now shows which version you are running 1.
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